neka

6 ms·

1.
How one musician took on the world’s biggest TV network over copyright–and won(arstechnica.com)
1 points by neka 6y ago|0 comments
2.
Amplifying Artist Input in Your Personalized Recommendations(newsroom.spotify.com)
1 points by neka 6y ago|0 comments
3.
by neka 6y ago
Do you mean you disputed a UGC claim?
4.
by neka 6y ago
They use an interactive radio blanket licence
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by neka 6y ago
On the flipside, my father passed away this time last year and his favourite pub the month after. We looked it up on Google Streetview recently and there he was, immortalised stood out front of the pub with a pint in hand.
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The chaos of Tony Wilson's digital music revolution(theguardian.com)
1 points by neka 6y ago|0 comments
7.
Government paid Vote Leave AI firm to analyse UK citizens’ tweets(theguardian.com)
3 points by neka 6y ago|0 comments
8.
by neka 7y ago
What's the requirement out of interest?
9.
by neka 7y ago
Some of it is from that but mostly from the brake pads. You can see it collect on those cylinders between carriages.
10.
by neka 7y ago
Can't imagine that being of any use in London, nothing moves.
11.
by neka 7y ago
Waze doesn't seem to allow you to specify whether you're a trade vehicle or not so it keeps routing trade vehicles into Regents (and the other Royal) Park which they are prohibited from and liable to be fined.
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People Paid to Dox Airbnb Addresses(vice.com)
4 points by neka 7y ago|0 comments
13.
by neka 7y ago
Wasn't this just a trial that had mixed results? https://www.bbc.co.uk/news/business-38843341
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Danish bank launches negative interest rate mortgage(theguardian.com)
248 points by neka 7y ago|149 comments
15.
Every Noise at Once(everynoise.com)
333 points by neka 7y ago|82 comments
16.
by neka 7y ago
You're not obliged to sign to a record label.
17.
by neka 7y ago
A lot of the new players (~past decade) are VC funded and/or starting off in a highly saturated market, needing to landgrab as many artists & labels as possible to establish themselves. So they end up prioritising marketing their s
18.
by neka 7y ago
They're not, but I don't see how it being non-profit would make a difference to the problems you're suggesting. You can be for-profit and still have a sustainable, fair and innovative model. By marketing I mean marketing them
19.
by neka 7y ago
If you retain your ISRCs and UPCs when moving from one distributor to another, links and stream counts will remain as is. Surely that's an issue solved by the market, if there is a distributor that is reliable & fairly priced then
20.
by neka 7y ago
Where has this come up? Not all distributors work direct with artists. Bandcamp is proprietary, for profit and seems to have strong artist allies.
21.
by neka 7y ago
No because Spotify pay the rightsholders who may or may not be the artist.
22.
by neka 7y ago
What problem are you trying to solve?
23.
by neka 7y ago
No it doesn't, Spotify provides line-level accounting for every stream to the rightsholders. What they then do to account to artists could be anything.
24.
by neka 7y ago
https://uk.trustpilot.com/review/www.dittomusic.com
25.
by neka 7y ago
They probably took one look at the iTunes style guide. From the article; The most impactful way we can improve the experience of delivering music to Spotify for as many artists and labels as possible is to lean into the great work our distr
26.
We’re Closing the Upload Beta Program. Here’s What Artists Need to Know(artists.spotify.com)
2 points by neka 7y ago|2 comments
27.
by neka 7y ago
Chargeback fees are apples and transaction fees not being refunded are oranges.
28.
by neka 8y ago
Yeah - it boils down to ye olde case of people reusing passwords. Half of the article talking about GDPR and the ICO is irrelevant. What's happened is she has an easy/reused password that's ended up in a breach, fraudster loc
29.
by neka 8y ago
Finchley?
30.
Tory conference app flaw reveals private data of senior MPs(theguardian.com)
8 points by neka 8y ago|1 comments

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