mpatane

5 ms·

1.
by mpatane 6y ago
What are the hidden expenses in this case? And a note, the license applies to users, not CPUs. If I have two computers, one tablet and one mobile phone, I'm still one user, and I can use the font on as many devices as I want.
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by mpatane 6y ago
I know these things can be easily misleading, and I tried my best with the IP lawyer to make the EULA intelligible and simple as much as possible. This particular clause shouldn’t be seen as potentially damaging for the customer. I want to
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by mpatane 6y ago
Hello, I'm glad you like the font. Would you DM me so I can come back to you? You can find my contact at cinetype.com . Quick answer about the product usage: the font can be embedded in a limited amount of products (defined in the Lice
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by mpatane 6y ago
Started with FontLab around 2003. Nowadays, my primary tool for development is Glyphs. It’s very easy to use, it’s pretty quick to learn how to use it, and it has quite an active forum/community open to help. Also, you can find plenty
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by mpatane 6y ago
Thanks a lot. The balance between strength and warmth is really something that I think identifies the typeface. I haven’t noticed anything in the lowercase ‘b’, but I’m running further rasterisation tests as we speak, and I’ll push out an u
6.
by mpatane 6y ago
You are definitely right. The slightly, almost out-of-balance feeling is an integral part of the design. The white areas within letters are not of equal weight, and this creates the internal dynamism that I’m referring to. B is a good examp
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by mpatane 6y ago
Many many thanks!
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by mpatane 6y ago
Uh! This is a good question. I studied Graphic design & Visual communication, and I wanted to work on film titles for my final dissertation, a topic that I’m particularly fond of. Of course, typography is one of the key ingredients of a
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by mpatane 6y ago
Hi everybody! Fabbrica designer here. If you have any question, or if you have any feedback, I would be super happy to hear.