geraldmcboing

10 ms·

1.
by geraldmcboing 2mo ago
its out of sync such that it would fail a basic QC by any reputable post house. And it looks like digital slop.
2.
by geraldmcboing 2mo ago
You are describing false equivalency. There is a fundamental flaw to LLMs. The data is not weighted. Thats why it cant be reliably directed.
3.
by geraldmcboing 2mo ago
But there is no evidence of this - its is your hypothetical reckons. If a "talented creative" wanted realism, they can already access it and in a reliable, repeatable, direct-able way using all of their lived experience. Your ide
4.
by geraldmcboing 2mo ago
well said.
5.
by geraldmcboing 3mo ago
Wrong again. As a sound designer I can choose to import a 192kHz file into a 48kHz PT session in two ways, one as resampled audio which means pitch & duration stay the same, OR I can choose to import it without SR conversion, in which c
6.
by geraldmcboing 3mo ago
I do not use the DACs in the MixPre. Its a recording device. The field recordings & studio recordings are transferred as data and used in a 32bit float 192kHz Protools session. So the recorders DAC is completely irrelevant. The sounds a
7.
by geraldmcboing 3mo ago
"Nobody uses 32 bit float for recording" - you are just displaying total ignorance here.
8.
by geraldmcboing 3mo ago
Why are you obsessed with DAC? Its the ADC that is WHY we capture 32/192.
9.
by geraldmcboing 3mo ago
Dude I've been doing sound design on films using these techniques for years. There is zero 'woo' involved, it is ALL practical evidence based use. I've been using 32bit float multitrack field recorder by Sound Devices Mi
10.
by geraldmcboing 3mo ago
The OP is a bit off with their description of why pro audio engineers work in higher bit rates and sample rates. We use 24bit to preserve low level sounds eg reverb, breaths etc and use 32bit float when recording as the headroom is so massi
11.
by geraldmcboing 6mo ago
The author could do a bit more work to make their opinions more valid. First, what speakers were they listening on and in what environment? If attempting to do critical listening, you do not use low quality speakers in a reverberant listeni
12.
by geraldmcboing 7mo ago
One thing that is lost when using auto cameras is using focus & DOF as part of composition. With an auto-everything camera, the only part the user does is frame the shot. But composing requires thought about where you choose to place th
13.
by geraldmcboing 8mo ago
This is also a great deep wide-ranging interview/conversation c SYRO release https://web.archive.org/web/20141111015756/http://noyzelab.b... https://web.archive.org/web/20141112
14.
by geraldmcboing 9mo ago
also: "Musicians might note that 87% of tracks will now receive the same payment from Anna’s Archive as they do from Spotify: zero." https://dadadrummer.substack.com/p/anti-copyright-extremists
15.
by geraldmcboing 1y ago
It has a fantastic reverb too! Would love to take a drum kit down there... and a speaker to play a sweep & capture an IR. Tried using handclaps when I visited.
16.
by geraldmcboing 1y ago
I disagree re toil. The original idea that brings a creative work into existence is only a tiny part of how that work evolves with every step. For example absolutely no writer starts off writing their final draft. They write & through w
17.
by geraldmcboing 2y ago
The problem with Bandcamp is neither hypothetical or weak. The problem is that its been sold twice, and is now owned by a company who attempted to fire anyone who tried to unionise, which is a red flag. Will bandcamp be sold again? Yes, ver