Our entire company (www.earbits.com) is built on the premise that more value can be created for artists out of streaming radio by using it as a fan acquisition

Our entire company (www.earbits.com) is built on the premise that more value can be created for artists out of streaming radio by using it as a fan acquisition tool and marketing platform for the artists and labels than by using it to sell commercials and ads. Without a doubt, the per-stream value created by the ad supported model is a relative joke, but despite my desire for artists to get more value out of streaming and the fact that Pandora is my competitor for listener usage, I continue to side with Pandora on most of these issues. There is no reason why iHeartRadio should pay less than them because it's owned by Clear Channel. There is no reason they should keep paying ASCAP the same percentage of their revenue for royalties after someone as big as Sony ATV pulls their catalog from ASCAP representation. The Internet Radio Fairness Act was not about necessarily reducing royalties, but ensuring that all companies streaming digitally pay the same percentage of revenue. It makes absolutely no sense to me that everyone is focused on Pandora trying to reduce their rates to the same level as their competitors, instead of focusing on the fact that those competitors already pay less. Compulsory rates that work for these companies are the best opportunity for independent artists to participate in this market. If you force these companies to secure direct deals with labels because the compulsory rates are not equitable, you will get what just happened with iTunes Radio. They will forge sweetheart deals with the major labels and treat indies like a nice-to-have group of second class citizens. The artist community should be working harder to increase royalties paid by the companies already enjoying massive discounts. The artist community should be interested in making their music as easy to license as possible, a la compulsory licenses. If you make the rates unsustainable, and even worse, push the revenues through label accounting departments, artists will be left in the cold and have most of their share kept by labels. Pandora has definitely gone about this in a way that hasn't worked in terms of PR, but it is unfathomable to me that all of a sudden everybody on earth forgets that the person on the other side of this issue is the RIAA. Nothing the RIAA has ever done was good for consumers or artists. Why on earth would it be now? Pandora pays more royalties than any other type of radio broadcaster. It's time to make other companies pay more, while finding a rate and system that works for everybody and doesn't require direct licensing. Any other situation does not bode well for artists.