6 ms·
> And there is essentially no discussion of music theory in other cultures (middle eastern, african, east asian, indian)... To me, that above ^ looks like the
by aanet 6d ago
> And there is essentially no discussion of music theory in other cultures (middle eastern, african, east asian, indian)...
To me, that above ^ looks like the biggest gap.
To be fair, the book doesn't claim to demonstrate theory of the "world music" (sic, a phrase as bad as it sounds).
My (brief and shallow) understanding is that most scholars of music in the western world just do not have enough knowledge to talk intelligently about non-western genres. Exceptions exist, of course, but they are quite rare.
[Other reason is that there is a lot of gate-keeping. I've seen that in Hindustani/Carnatic classical studies, FWIW, which is one my areas of interest]
- quacked 6d agoI don't understand why this standard is always applied to westerners. When we go to other countries, are they explaining all the fundamentals of western music in addition to the theories of their own? "Yeah our students in Boston don't know anything about Carnatic rhythm, but over in Bengal they all learn counterpoint and fugue before they learn the traditional ornaments"
- bluGill 6d agoI suspect given western dominance in economics others have exposure to western music traditions. I wouldn't expect exposure to traditions other than their own and western.
- analog31 6d agoIndeed, the musical traditions of western Europe and Africa, forged together in the Americas, dominate world culture. Turn on the radio anywhere in the world and you will hear the influences of jazz, rock, funk, samba, hip-hop, etc.