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I'll look up the names and articles you've mentioned, thanks for that. I've seen some information about the effects of porn consumption, but it's difficult to r

I'll look up the names and articles you've mentioned, thanks for that. I've seen some information about the effects of porn consumption, but it's difficult to relate the results of a study on typical porn consumers with the effects of media depicting child sexual abuse on those with a mental illness compelling them to sexualize children. That's an enormous sticking point that also differentiates the typical consumer of fiction with the consumer of depictions of child sexual abuse. We can't expect someone consuming specific types of media pathologically to react the same way as a typical person consuming media that does not aggravate an illness of theirs.

claudiawerner 5y ago
I have no doubt at all that pedophiles do enjoy fictional child pornography. However, my contention is that (i) it is not clear that pedophiles make up the majority of such viewers, and there are other plausible explanations for why, concordant with what we know from other kinds of media, and (ii) it is not clear that the fans understand the work in the way pedophiles do, and Galbraith's work on the history and current trend of phenomenon hints in that direction. From what I can tell, the people whom the content is marketed towards (and yes, including things like Mushoku Tensei) concerns people with what is known in Japan as the "2D complex", or people with vivid imaginations, with a strong distinction between fantasy and reality. At the same time, I will agree that pedophiles typically have trouble distinguishing fantasy from reality. But it is undeniable that there are kink, fetish, and pornography communities which work on the very principle of distinguishing fiction from reality, and infusing them with imagination that does not reflect real-world desire. It also stands to reason that the aesthetic properties mean something - in that if the primary audience were pedophiles, we'd see much more realistic depictions, or a trend toward realism, rather than an emphasis on distorted bodies, ridiculous settings, parody, and unbelievable characters common in such material. See also readings on Otaku, fictional sexuality, and moe. Japan, and by extension those who are moulded by Japanese media, has a strong tradition of a different conception of fiction and reality to the Western view that fiction is pure wish-fulfillment, and real desire is a fixed point in erotic function. Galbraith cites this research in the paper I mentioned earlier, as does Gary Young (a psychologist, for once!) in the work mentioned earlier.
- cforrester 5y ago
  What is it that you think interests people in seeing sexualized depictions of children when it's not the children themselves? Perhaps someone who lacks empathy may simply not care that they're fantasizing about children being abused, but I'm honestly trying think of any other scenario that is more plausible than them being sexually attracted to children. What unique quality does child sexual abuse add to fiction which would override the loss of sexual desire that the average person feels with children?
  - claudiawerner 5y ago
    You've missed the key point I was making, which is that these people do not fantasize about children at all, if by children we mean real (3D) children, in the same way BDSM enthusiasts do not fantasize about really non-consensually caning someone, or raping someone. It's only made OK in their mind by the addition of fiction and play. According to Galbraith's findings, concordant with other research in fictional media, they literally don't think of a real life child when they see these characters. They think of them as tropes, assemblages of aesthetic features (hair colour, height, body type) that are themselves referents only to other symbols. If you've heard of the idea of the 'lifeworld' from Habermas, it's a similar principle here. They are quite living in another world, a fantasy and fictional world, to the point where they develop what Japanese psychologists have identified as a "2D sexuality". Please compare this to the way in which a BDSM practitioner/fan looks at what others may see as abuse. The practitioner actually sees some nuance, or a possibility of nuance, that others don't. You might look at the material and say "that's a child" - but these fans, at least the ones Galbraith argues are the primary consumers, do not visualize a real child in that context. This is emphasized by the fact that even the term 'lolicon' before being adopted outside Otaku discourse is an entirely fictionally-referent concept. Again, pedophiles will enjoy it too - but that's because they see the material through your lens, not the lens of someone who has developed some component of a 2D sexuality, and never shall their 2D and 3D sexualities meet.
    - cforrester 5y ago
      I'll do some more reading, but I find the concept extremely implausible. If the fictional child did not represent a child in their mind, there would be no need to seek out media featuring children. The 2D/3D attraction hypothesis you've presented would exist aside their paedophilia.

claudiawerner 5y ago

I have no doubt at all that pedophiles do enjoy fictional child pornography. However, my contention is that (i) it is not clear that pedophiles make up the majority of such viewers, and there are other plausible explanations for why, concordant with what we know from other kinds of media, and (ii) it is not clear that the fans understand the work in the way pedophiles do, and Galbraith's work on the history and current trend of phenomenon hints in that direction. From what I can tell, the people whom the content is marketed towards (and yes, including things like Mushoku Tensei) concerns people with what is known in Japan as the "2D complex", or people with vivid imaginations, with a strong distinction between fantasy and reality. At the same time, I will agree that pedophiles typically have trouble distinguishing fantasy from reality. But it is undeniable that there are kink, fetish, and pornography communities which work on the very principle of distinguishing fiction from reality, and infusing them with imagination that does not reflect real-world desire. It also stands to reason that the aesthetic properties mean something - in that if the primary audience were pedophiles, we'd see much more realistic depictions, or a trend toward realism, rather than an emphasis on distorted bodies, ridiculous settings, parody, and unbelievable characters common in such material. See also readings on Otaku, fictional sexuality, and moe. Japan, and by extension those who are moulded by Japanese media, has a strong tradition of a different conception of fiction and reality to the Western view that fiction is pure wish-fulfillment, and real desire is a fixed point in erotic function. Galbraith cites this research in the paper I mentioned earlier, as does Gary Young (a psychologist, for once!) in the work mentioned earlier.

cforrester 5y ago
What is it that you think interests people in seeing sexualized depictions of children when it's not the children themselves? Perhaps someone who lacks empathy may simply not care that they're fantasizing about children being abused, but I'm honestly trying think of any other scenario that is more plausible than them being sexually attracted to children. What unique quality does child sexual abuse add to fiction which would override the loss of sexual desire that the average person feels with children?
- claudiawerner 5y ago
  You've missed the key point I was making, which is that these people do not fantasize about children at all, if by children we mean real (3D) children, in the same way BDSM enthusiasts do not fantasize about really non-consensually caning someone, or raping someone. It's only made OK in their mind by the addition of fiction and play. According to Galbraith's findings, concordant with other research in fictional media, they literally don't think of a real life child when they see these characters. They think of them as tropes, assemblages of aesthetic features (hair colour, height, body type) that are themselves referents only to other symbols. If you've heard of the idea of the 'lifeworld' from Habermas, it's a similar principle here. They are quite living in another world, a fantasy and fictional world, to the point where they develop what Japanese psychologists have identified as a "2D sexuality". Please compare this to the way in which a BDSM practitioner/fan looks at what others may see as abuse. The practitioner actually sees some nuance, or a possibility of nuance, that others don't. You might look at the material and say "that's a child" - but these fans, at least the ones Galbraith argues are the primary consumers, do not visualize a real child in that context. This is emphasized by the fact that even the term 'lolicon' before being adopted outside Otaku discourse is an entirely fictionally-referent concept. Again, pedophiles will enjoy it too - but that's because they see the material through your lens, not the lens of someone who has developed some component of a 2D sexuality, and never shall their 2D and 3D sexualities meet.
  - cforrester 5y ago
    I'll do some more reading, but I find the concept extremely implausible. If the fictional child did not represent a child in their mind, there would be no need to seek out media featuring children. The 2D/3D attraction hypothesis you've presented would exist aside their paedophilia.