8 ms·

One of the longstanding examples of this that immediately sprung to mind is Dale Chihuly (https://en.wikipedia.org/wiki/Dale_Chihuly https://en.wikipedia.org/wi

One of the longstanding examples of this that immediately sprung to mind is Dale Chihuly (https://en.wikipedia.org/wiki/Dale_Chihuly https://en.wikipedia.org/wiki/Dale_Chihuly), the renown glass sculptor. Except Chihuly has not physically produced ANY of the glass sculptures attributed to him since 1979: "...he continued to blow glass until he dislocated his right shoulder in a 1979 bodysurfing accident. No longer able to hold the glass blowing pipe, he hired others to do the work." It's an interesting thought experiment about what art actually IS: is art the idea behind the piece? Is it the skill that the individual has in physically bringing the piece to life? If the person with the vision doesn't physically produce the outcome, is it still their art? It's pretty easy to sit back and say "No, of course not, if you only have the vision and don't do any of the work, then you don't get all of the credit!" And yet, think about how this translates over to the technology world. Whose name is associated with the iPhone? Steve Jobs. Did he, alone, design all aspects of the device? Perhaps. Did he code every chip, bevel every edge, sketch every wireframe? No. Did it come to fruition in a vacuum? Of course not, and yet very few of us can name any of the other individuals who collaborated with Jobs. Does Steve Jobs deserve credit for the invention? Of course, and he signed off on every design decision and charted the course for the device to come into existence. However, he was not an independent actor, but a spearheading collaborator with a very large team coming together to work on one project. And yet, Steve Jobs is the name we know. So in that vein, is Dale Chihuly an artist? If he only designs the pieces (and from what I've seen, "designing" consists of vaguely sketching out colored shapes on large pieces of paper and then overseeing all of the glassblowers who make the various parts of his sculptures) but he never physically produces ANY of the sculptures attributed to his name, does he deserve all of the credit? If he oversees the whole process, start to finish, and has final say on every single aspect of the sculpture, should he be lauded for his vision even though it was not his effort that brought that vision to life?

Balero 8y ago
The music industry seems to have a pretty good solution for this. The performer gets a cut. The lyrics writer gets a cut. The melody writer gets a cut. I'm sure something similar could work. I'm also recovering from just finding out that the process I thought happened behind artwork was largely false, and has more in common with renaissance painting businesses than the title artists work.
- emodendroket 8y ago
  It depends how you see everyone's contributions here... in some cases it seems a little bit like an album being attributed to EMI Records.
- pbhjpbhj 8y ago
  And the people who only contributed financing gets a bigger cut just for already being rich.
  - gergles 8y ago
    Yeah, taking all the risk if the project fails is just their job for having the unmitigated temerity to be rich.
    - pbhjpbhj 8y ago
      So media tycoons are getting washed up, rather than getting continued returns? No, of course not: this is why we've had ever increasing numbers of sequels, remakes, franchise films and such. Why lots of heavily promoted music is highly derivative. Sure, some people invest in riskier stuff, on the hope of much greater returns. What are they risking, will they suffer in any meaningful way if the project fails?
  - pythonaut_16 8y ago
    They get a bigger cut because they bore the most risk and were willing to support a venture that otherwise wouldn't have had the resources to happen. Their exact cut is generally a balance between the risk, reward, and ability of the venture to happen without them.
    - pbhjpbhj 8y ago
      A musician might be risking their entire livelihood; an investor risking a percentage point on their portfolio's annual profit. Bonus points if the wealth was inherited and is managed for them. Your claim just isn't true as a generality. Risking the largest absolute financial input is not equivalent to having the highest risk unless you exclude all human value, and consider a dollar to be of equal value to all people.
Alex3917 8y ago
So there’s basically three different definitions of art: - A work of art, i.e. an artifact - The skill used to create something - Something original that changes another person When we talk about an artist we’re usually talking about the last definition. So technical skill might be required, but the person with the technical skill isn’t necessarily the artist. E.g. before Jeff Koons went into art he was one of the most talented commodity salespeople of all time. That skill is really the basis of his art, not polishing the metal or whatever.
fredophile 8y ago
I'd put that kind of contribution on about the same level as the conductor for an orchestra or the director for a movie or play. The same piece of music played by the same musicians can have noticeable differences depending on the conductor. Similarly, choosing a different director can have a noticeable impact on a movie or play despite having the same script and cast.
heavenlyblue 8y ago
>> It's an interesting thought experiment about what art actually IS: is art the idea behind the piece? Is it the skill that the individual has in physically bringing the piece to life? If the person with the vision doesn't physically produce the outcome, is it still their art? I sincerely enjoy the fact that people regularly visiting Hacker News think that is an "interesting thought experiment", in the context of art. Isn't that an interesting thought experiment to question what does a CEO do, for example? But it isn't, since people on HN are mostly familiar in detail with what a CEO does. On the other hand art is somehow assumed to be a special case in our world. These are two absolutely equivalent questions.
- protonimitate 8y ago
  >>On the other hand art is somehow assumed to be a special case in our world. I think this is most due to a romanticized vision of what an artist really is/does. When people think artist, they think of the starving-artist stereotype - locked away alone in their studio pursuing their passion and living in poverty to 'do what they love'. Or, the crazy-genius archetype (think Van Gogh). People attribute creativity to 'natural talent' or 'artistic genius', when it's really a skill that can be sharpened the same as running a business like a CEO would. Craftsmanship and creative vision are two sides of the same coin art, just as they are in business. You can have a killer business idea, but it's worth nothing without proper execution. The same goes if you are a skilled programmer but have no vision on how to sell your skills.
  - discreteevent 8y ago
    > when it's really a skill that can be sharpened the same as running a business like a CEO would Running a business is not the same as visual art, literature, mathematics, physics. Most people will spend years sharpening their skills at these things and never produce something of note. It's not romantic to say this, it's just the way it is.
- ballenf 8y ago
  You make a strong point, but I would argue there's more subtlety than you acknowledge. At least there are other metaphors that might shed light on the idea of agency. For one, there's the coach of a team sport. We don't say that the coach played the game, but we do credit them with being a vital part of the team's success or failure. These artists seem more like coaches than CEOs to me. One big difference between artists and both CEOs and coaches is that the products of an artists are standalone, enduring (except for some new media works) pieces. And I think that difference makes artists and the analysis of a technician in the production of any piece a somewhat unique situation.
emodendroket 8y ago
I'd say in both cases it's pretty much a no. To take another example, producers have input into a movie but nobody would credit them as the sole or even primary movers.
- pbhjpbhj 8y ago
  You do get movies that are credited mainly to one person, primarily as a marketing thing, but still. (In showing my age here, but first movie examples that spring to mind) Steven King's ..., Steven Spielberg's ..., I'm not sure if they're all called Steven though. Some artists get credit akin to celebrity authors on books a ghost-writer wrote.
  - emodendroket 8y ago
    Of course, but my contention here is that the director of a movie or the author of a book it's based on has a substantial contribution to driving the work and it is essentially his "vision," while in some of the cases described in this article what is happening is more that an "artist" is putting their name on someone else's work to which they made little contribution.
totalperspectiv 8y ago
I feel like the more apt analogy would be that of a movie director, since we hold movies to be art of a sort already, but accept the fact that it's just an implementation of an idea.
GauntletWizard 8y ago
A director still makes the movie, despite never appearing on film or touching the camera. Design and oversight can be a large part of the finished product. There's no doubt that Chihuly is an artist despite never touching the pieces. He's not their only artist, though. I think that his technicians should be demanding credit. Movies come with credits, why shouldn't other forms of collaborative art? As to the specific case: living in Seattle, I heard nothing but bad things about Chihuly himself, and experienced it firsthand; he was presenting at a Sounders game, and had made a piece to be given to the opposing team. About halfway through the first half I headed in for a snack and the club was dead except him ordering something in front of me. While they were getting his order he turned and looked at me, and I said something simple and nice about his piece. He scoffed dismissively and his handler moved between us. Just came across as snotty.
wodenokoto 8y ago
I get your point but look at movies. While a movie is usually the directors, there's a ten minute scroll of credits at the end. When AI Weiwei has millions of marbles produced for an art installation we all know he didn't make them, but the examples in this articles are mostly artist taking full ownership of the entire process.
nine_k 8y ago
Hmm. If a composer can't personally play or direct his/her piece (e.g. a symphony), is it still composer's art? The generally accepted answer is "yes, this is composer's art". But it's also generally accepted that those who render the piece also take part in the art, in a different way. The bigger the influence, the more noticeable part it is. You don't normally ask who plays particular violins in an orchestra string group, but you do notice the first violin, and the director; you say "Gould plays Bach", or you say "Band N covers band M's hit". The influence of the performer is very visible, and makes a lot of difference. Still, without the composer's art, their performance would not be possible. I don't see why this parallel can't apply to other collectively performed art (or any activity).
- davegauer 8y ago
  I think this is a really strong analogy. I would love to see a truthful gallery label such as "_Red Ruby_ by The Washington State Glassblowers, Designed and Conducted by Dale Chihuly".
- sageabilly 8y ago
  Extremely well put. Part of the reason I wrote my original comment was to see what the HN collective thought about my reasoning- as I have personally struggled to think of Dale Chihuly as being an artist once I found out that he does not actually create the works that bear his name. Likening him to a composer directing his own symphony makes a lot more sense- no one would argue that Mozart wasn't a great artist just because he couldn't play the whole symphony by himself.
- rewgs 8y ago
  Composer here. This is a terrible analogy. Whether or not a composer can/does perform a piece has absolutely nothing to do with authorship -- do we expect a writer to read aloud their novel? A better question to ask is, "If the composer merely told others what to write, is it actually the composer's music?" This is an unbelievably common practice, and IMO, the answer to the question is no.
  - nine_k 8y ago
jrockway 8y ago
I don't think this is an interesting thought experiment. You need not fully create a work of art to be an artist. Do you care that a photographer used a Canon DSLR, translated the sensor data to a JPEG using Adobe RAW, and printed using an Epson printer? No. The art is the photograph and the non-artistic tasks were farmed out to Canon, Adobe, and Epson.
- davegauer 8y ago
  Surely we don't credit the canvas and brush for a painting?
acomjean 8y ago
Some art is just too big for a single artist. A lot of renisance artists had many apprentices helping out, so this goes back a ways. Chihuly has litigated and been litigated against by his helpers. His “ paintings” aren’t done by him either. It’s almost like he is a brand. https://www.google.com/amp/s/www.seattlepi.com/entertainment/amp/Chihuly-settles-copyright-lawsuit-1210845.php https://www.google.com/amp/s/www.seattlepi.com/entertainment...
- sageabilly 8y ago
  Wow, that article led me to the artist Bob Kuster (http://bellemeadhotglass.com/gallery/glass-chandeliers/ http://bellemeadhotglass.com/gallery/glass-chandeliers/), "who's making chandeliers so closely related to Chihuly's that Chihuly frowned when he saw them in black-and-white, photocopied reproduction and asked, 'Are those mine?'" That opens up another interesting thought process of which is more art, the chandeliers created by Chihuly's hired glassblowers directed by Chihuly himself, or the chandeliers inspired by Chihuly designs which are physically created by Kuster? What imbues a Chihuly design with "art"-ness? The fact that Chihuly signed off on it personally? The fact it was created in his studio and received his blessing?
  - acomjean 8y ago
    Good find. Very “Chihuly” like glass (I saw the Chihuly exhibit around the grounds of the Brooklyn botanical gardens). Too close in my humble opinion: you can be inspired by someone but you have to bring something new to it. The market seems to like the price of this imatation art however.. I have no answers to the question you pose but they are interesting to think about.
pasbesoin 8y ago
Funny this comes up. I've recently become friends with someone who worked for Chihuly, doing precisely this. They have commented on how the "technicians" put a lot of effort and research into turning Chihuly's designs into a piece of glass. They aren't just "cranking it out"; they're figuring out how the pieces can be made, in the first place. This is without getting into personalties, beyond this rhetorical tease of a sentence.
- sageabilly 8y ago
  Exactly! So if all Chihuly does is take a crayon to a piece of paper and say "Make this thing!", but your friend and others like your friend do the heavy lifting to bring the idea to life, is Chihuly that great of an artist after all?
  - pasbesoin 8y ago
    Well, I don't know whether I'd go that far. And we haven't talked about it extensively -- just for a few minutes. With Chihuly, as well, the accident really did limit his own physical capabilities. A lot of people enjoy the work. I saw one of the first "garden" shows, years ago at the Garfield Park Conservatory in Chicago, and it was amazing. But, people should keep in mind that it's a team effort. And the PR might do a bit more to highlight that, as well.
itronitron 8y ago
Chihuly is a bit different from other artists that have art technicians make the work for them. Chihuly is a skilled glassblower as are the others on the team and they are all internationally recognized. Glassblowing is a craft so has a history of technical craftsmen. Modern art does not have that craftsman history but is more known for the 'lone genius'. Public sculpture is a little bit different as it does often require access to industrial tools and materials. Tony Smith would sketch plans for his steel sculptures and send them to an industrial fabricator.
Baeocystin 8y ago
Speaking just as a hobbyist glassblower (I'm not talking about pipes, but rather furnace glass, of the type Chihuly works with): It is important to point out that glassblowing is a team-focused effort from the very beginning. Although it is possible to work solo, it makes everything many times harder, and on top of that, makes many standard moves impossible to perform. Even the simplest transfer of a cup form to a punty is best done with at least one assistant, and for wraps and handles, having someone able to take a dip and prep the pull while you work on the main piece is a practical necessity. The Corning Museum of Glass has excellent videos of master gaffers at work that show just what a team effort any form is. https://www.youtube.com/watch?v=oahrrN8ZHwE https://www.youtube.com/watch?v=oahrrN8ZHwE Great fun to watch if you're even slightly interested in glassblowing.

Balero 8y ago

The music industry seems to have a pretty good solution for this. The performer gets a cut. The lyrics writer gets a cut. The melody writer gets a cut. I'm sure something similar could work. I'm also recovering from just finding out that the process I thought happened behind artwork was largely false, and has more in common with renaissance painting businesses than the title artists work.

emodendroket 8y ago
It depends how you see everyone's contributions here... in some cases it seems a little bit like an album being attributed to EMI Records.
pbhjpbhj 8y ago
And the people who only contributed financing gets a bigger cut just for already being rich.
- gergles 8y ago
  Yeah, taking all the risk if the project fails is just their job for having the unmitigated temerity to be rich.
  - pbhjpbhj 8y ago
    So media tycoons are getting washed up, rather than getting continued returns? No, of course not: this is why we've had ever increasing numbers of sequels, remakes, franchise films and such. Why lots of heavily promoted music is highly derivative. Sure, some people invest in riskier stuff, on the hope of much greater returns. What are they risking, will they suffer in any meaningful way if the project fails?
- pythonaut_16 8y ago
  They get a bigger cut because they bore the most risk and were willing to support a venture that otherwise wouldn't have had the resources to happen. Their exact cut is generally a balance between the risk, reward, and ability of the venture to happen without them.
  - pbhjpbhj 8y ago
    A musician might be risking their entire livelihood; an investor risking a percentage point on their portfolio's annual profit. Bonus points if the wealth was inherited and is managed for them. Your claim just isn't true as a generality. Risking the largest absolute financial input is not equivalent to having the highest risk unless you exclude all human value, and consider a dollar to be of equal value to all people.

Alex3917 8y ago

So there’s basically three different definitions of art: - A work of art, i.e. an artifact - The skill used to create something - Something original that changes another person When we talk about an artist we’re usually talking about the last definition. So technical skill might be required, but the person with the technical skill isn’t necessarily the artist. E.g. before Jeff Koons went into art he was one of the most talented commodity salespeople of all time. That skill is really the basis of his art, not polishing the metal or whatever.

fredophile 8y ago

I'd put that kind of contribution on about the same level as the conductor for an orchestra or the director for a movie or play. The same piece of music played by the same musicians can have noticeable differences depending on the conductor. Similarly, choosing a different director can have a noticeable impact on a movie or play despite having the same script and cast.

heavenlyblue 8y ago

>> It's an interesting thought experiment about what art actually IS: is art the idea behind the piece? Is it the skill that the individual has in physically bringing the piece to life? If the person with the vision doesn't physically produce the outcome, is it still their art? I sincerely enjoy the fact that people regularly visiting Hacker News think that is an "interesting thought experiment", in the context of art. Isn't that an interesting thought experiment to question what does a CEO do, for example? But it isn't, since people on HN are mostly familiar in detail with what a CEO does. On the other hand art is somehow assumed to be a special case in our world. These are two absolutely equivalent questions.

protonimitate 8y ago
>>On the other hand art is somehow assumed to be a special case in our world. I think this is most due to a romanticized vision of what an artist really is/does. When people think artist, they think of the starving-artist stereotype - locked away alone in their studio pursuing their passion and living in poverty to 'do what they love'. Or, the crazy-genius archetype (think Van Gogh). People attribute creativity to 'natural talent' or 'artistic genius', when it's really a skill that can be sharpened the same as running a business like a CEO would. Craftsmanship and creative vision are two sides of the same coin art, just as they are in business. You can have a killer business idea, but it's worth nothing without proper execution. The same goes if you are a skilled programmer but have no vision on how to sell your skills.
- discreteevent 8y ago
  > when it's really a skill that can be sharpened the same as running a business like a CEO would Running a business is not the same as visual art, literature, mathematics, physics. Most people will spend years sharpening their skills at these things and never produce something of note. It's not romantic to say this, it's just the way it is.
ballenf 8y ago
You make a strong point, but I would argue there's more subtlety than you acknowledge. At least there are other metaphors that might shed light on the idea of agency. For one, there's the coach of a team sport. We don't say that the coach played the game, but we do credit them with being a vital part of the team's success or failure. These artists seem more like coaches than CEOs to me. One big difference between artists and both CEOs and coaches is that the products of an artists are standalone, enduring (except for some new media works) pieces. And I think that difference makes artists and the analysis of a technician in the production of any piece a somewhat unique situation.

emodendroket 8y ago

I'd say in both cases it's pretty much a no. To take another example, producers have input into a movie but nobody would credit them as the sole or even primary movers.

pbhjpbhj 8y ago
You do get movies that are credited mainly to one person, primarily as a marketing thing, but still. (In showing my age here, but first movie examples that spring to mind) Steven King's ..., Steven Spielberg's ..., I'm not sure if they're all called Steven though. Some artists get credit akin to celebrity authors on books a ghost-writer wrote.
- emodendroket 8y ago
  Of course, but my contention here is that the director of a movie or the author of a book it's based on has a substantial contribution to driving the work and it is essentially his "vision," while in some of the cases described in this article what is happening is more that an "artist" is putting their name on someone else's work to which they made little contribution.

totalperspectiv 8y ago

I feel like the more apt analogy would be that of a movie director, since we hold movies to be art of a sort already, but accept the fact that it's just an implementation of an idea.

GauntletWizard 8y ago

A director still makes the movie, despite never appearing on film or touching the camera. Design and oversight can be a large part of the finished product. There's no doubt that Chihuly is an artist despite never touching the pieces. He's not their only artist, though. I think that his technicians should be demanding credit. Movies come with credits, why shouldn't other forms of collaborative art? As to the specific case: living in Seattle, I heard nothing but bad things about Chihuly himself, and experienced it firsthand; he was presenting at a Sounders game, and had made a piece to be given to the opposing team. About halfway through the first half I headed in for a snack and the club was dead except him ordering something in front of me. While they were getting his order he turned and looked at me, and I said something simple and nice about his piece. He scoffed dismissively and his handler moved between us. Just came across as snotty.

wodenokoto 8y ago

I get your point but look at movies. While a movie is usually the directors, there's a ten minute scroll of credits at the end. When AI Weiwei has millions of marbles produced for an art installation we all know he didn't make them, but the examples in this articles are mostly artist taking full ownership of the entire process.

nine_k 8y ago

Hmm. If a composer can't personally play or direct his/her piece (e.g. a symphony), is it still composer's art? The generally accepted answer is "yes, this is composer's art". But it's also generally accepted that those who render the piece also take part in the art, in a different way. The bigger the influence, the more noticeable part it is. You don't normally ask who plays particular violins in an orchestra string group, but you do notice the first violin, and the director; you say "Gould plays Bach", or you say "Band N covers band M's hit". The influence of the performer is very visible, and makes a lot of difference. Still, without the composer's art, their performance would not be possible. I don't see why this parallel can't apply to other collectively performed art (or any activity).

davegauer 8y ago
I think this is a really strong analogy. I would love to see a truthful gallery label such as "_Red Ruby_ by The Washington State Glassblowers, Designed and Conducted by Dale Chihuly".
sageabilly 8y ago
Extremely well put. Part of the reason I wrote my original comment was to see what the HN collective thought about my reasoning- as I have personally struggled to think of Dale Chihuly as being an artist once I found out that he does not actually create the works that bear his name. Likening him to a composer directing his own symphony makes a lot more sense- no one would argue that Mozart wasn't a great artist just because he couldn't play the whole symphony by himself.
rewgs 8y ago
Composer here. This is a terrible analogy. Whether or not a composer can/does perform a piece has absolutely nothing to do with authorship -- do we expect a writer to read aloud their novel? A better question to ask is, "If the composer merely told others what to write, is it actually the composer's music?" This is an unbelievably common practice, and IMO, the answer to the question is no.
- nine_k 8y ago

jrockway 8y ago

I don't think this is an interesting thought experiment. You need not fully create a work of art to be an artist. Do you care that a photographer used a Canon DSLR, translated the sensor data to a JPEG using Adobe RAW, and printed using an Epson printer? No. The art is the photograph and the non-artistic tasks were farmed out to Canon, Adobe, and Epson.

davegauer 8y ago
Surely we don't credit the canvas and brush for a painting?

acomjean 8y ago

Some art is just too big for a single artist. A lot of renisance artists had many apprentices helping out, so this goes back a ways. Chihuly has litigated and been litigated against by his helpers. His “ paintings” aren’t done by him either. It’s almost like he is a brand. https://www.google.com/amp/s/www.seattlepi.com/entertainment/amp/Chihuly-settles-copyright-lawsuit-1210845.php https://www.google.com/amp/s/www.seattlepi.com/entertainment...

sageabilly 8y ago
Wow, that article led me to the artist Bob Kuster (http://bellemeadhotglass.com/gallery/glass-chandeliers/ http://bellemeadhotglass.com/gallery/glass-chandeliers/), "who's making chandeliers so closely related to Chihuly's that Chihuly frowned when he saw them in black-and-white, photocopied reproduction and asked, 'Are those mine?'" That opens up another interesting thought process of which is more art, the chandeliers created by Chihuly's hired glassblowers directed by Chihuly himself, or the chandeliers inspired by Chihuly designs which are physically created by Kuster? What imbues a Chihuly design with "art"-ness? The fact that Chihuly signed off on it personally? The fact it was created in his studio and received his blessing?
- acomjean 8y ago
  Good find. Very “Chihuly” like glass (I saw the Chihuly exhibit around the grounds of the Brooklyn botanical gardens). Too close in my humble opinion: you can be inspired by someone but you have to bring something new to it. The market seems to like the price of this imatation art however.. I have no answers to the question you pose but they are interesting to think about.

pasbesoin 8y ago

Funny this comes up. I've recently become friends with someone who worked for Chihuly, doing precisely this. They have commented on how the "technicians" put a lot of effort and research into turning Chihuly's designs into a piece of glass. They aren't just "cranking it out"; they're figuring out how the pieces can be made, in the first place. This is without getting into personalties, beyond this rhetorical tease of a sentence.

sageabilly 8y ago
Exactly! So if all Chihuly does is take a crayon to a piece of paper and say "Make this thing!", but your friend and others like your friend do the heavy lifting to bring the idea to life, is Chihuly that great of an artist after all?
- pasbesoin 8y ago
  Well, I don't know whether I'd go that far. And we haven't talked about it extensively -- just for a few minutes. With Chihuly, as well, the accident really did limit his own physical capabilities. A lot of people enjoy the work. I saw one of the first "garden" shows, years ago at the Garfield Park Conservatory in Chicago, and it was amazing. But, people should keep in mind that it's a team effort. And the PR might do a bit more to highlight that, as well.

itronitron 8y ago

Chihuly is a bit different from other artists that have art technicians make the work for them. Chihuly is a skilled glassblower as are the others on the team and they are all internationally recognized. Glassblowing is a craft so has a history of technical craftsmen. Modern art does not have that craftsman history but is more known for the 'lone genius'. Public sculpture is a little bit different as it does often require access to industrial tools and materials. Tony Smith would sketch plans for his steel sculptures and send them to an industrial fabricator.

Baeocystin 8y ago

Speaking just as a hobbyist glassblower (I'm not talking about pipes, but rather furnace glass, of the type Chihuly works with): It is important to point out that glassblowing is a team-focused effort from the very beginning. Although it is possible to work solo, it makes everything many times harder, and on top of that, makes many standard moves impossible to perform. Even the simplest transfer of a cup form to a punty is best done with at least one assistant, and for wraps and handles, having someone able to take a dip and prep the pull while you work on the main piece is a practical necessity. The Corning Museum of Glass has excellent videos of master gaffers at work that show just what a team effort any form is. https://www.youtube.com/watch?v=oahrrN8ZHwE https://www.youtube.com/watch?v=oahrrN8ZHwE Great fun to watch if you're even slightly interested in glassblowing.