> Of course, Scott Adams has been at this for years and having to come up with a new joke each day for that length of time would be rather challenging. Definit

> Of course, Scott Adams has been at this for years and having to come up with a new joke each day for that length of time would be rather challenging. Definitely the case. This comedy degradation happened to Garfield and Peanuts as well, and it hit Peanuts especially hard because, well, it's Schultz. He was doing genius work in the 1950s-1960s, refining a lot of the medium traits we now take for granted. Both Garfield and Dilbert were a lot weirder in their early years, had larger casts, and more diverse settings. In one of the early Dilbert plotlines, he discovers dinosaurs hiding in his home after a computer model tells him they can't all be gone. Not exactly genius, but better than anything Adams is making now. The decline of Peanuts was especially sad. Schultz was a trouper and did the work until he physically and mentally couldn't anymore, and the decline showed painfully. Buying the huge Fantagraphics collection might be beyond your budget, but if you get a chance to flip through it by all means do so. The foregoing illustrates why The Far Side and Calvin and Hobbes were ended early. It also illustrates just how resistant to change newspaper readers are: The reason strips are allowed to sit and fester for decades when TV shows are off the air in a few seasons is due entirely to the fact papers will lose circulation if they cut the wrong strip.